Buffing the retro model
BACK TO THE 1950S
Brent Ledger / Toronto / Thursday, July 30, 2009
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A twink walked into Woody’s the other night wearing a striking little black dress. Short, plain and off-the-shoulder. Or maybe it was just a plain black T-shirt pulled off the shoulder. Either way it attracted attention.

“Is that, like, the gayest thing you could wear?” sneered one of his, uh, friends.

Thirty years ago that cheeky little number would have been taken for granted, a darling little bit of gay whimsy from an age group known for just that. Now it offends the conventions. It’s feminine and very much of the flesh, which you’d think would be way gay but, oh no, not in the right way. These days you can be as feminine as you want, but only if you’re doing drag, and you can show off your body any way you like as long as it’s a V-neck T-shirt over gym-built cleavage. Shoulders, yes, but only in muscle tanks and only at the gym.

It’s always foolhardy to typecast the zeitgeist but our modern, liberal, urban, multicultural world feels like nothing so much as the conformist 1950s. A big-finned car idling in neutral, all flash, no clash. Everything polite and plastic, smiling through perfectly white teeth. Think beautiful blonde Betty (Mrs Don Draper) on Mad Men.

You can do anything you want as long as it’s tasteful and exactly the same as what your friends are doing. Not that gay society is really to blame for this. As usual these days we’re just part of a larger trend.

In fact the biggest bellwether of the current phenomenon is Obama. For all his difference (or maybe because of it) he’s a throwback, the perfect 1950s male. With his impeccable grey suits and picture-perfect family, he’s the perfect dad from a time when we still thought dads could be perfect. Pragmatic rather than ideological, he’s a model of Eisenhower efficiency.

After a brush with Strangelove radicalism à la Cheney, North American society has moved to the middle and gay society is following the script.

Yep, it’s the 1950s all over again. Fresh scrubbed and newly respectable. A respectable era where everyone knew their place and smiled brightly.

If the 1960s and ’70s were about inventing new modes of relationship, the 2000s seem to be about copying old models and buffing them to the point of parody. It’s not enough for today’s queer couple to marry and have a house, they must have the perfect symbol of hearth and home, the renovated kitchen.

A friend who recently emerged from a long-term Cabbagetown relationship said that by the end of it he felt like June Cleaver.

Hand-holding gay couples are everywhere and I wish I could feel the love but all I see is the sameness, a stultifying willingness to toe the party line.

Even when they’re mixed race they all look the same and they all act like they have the same (economic) motives. You get the feeling everyone has a condo in Radio City. To me, they look like a couple of 1950s “chicks” in sweater sets and pearls. Ankles crossed. Demure.

From Oscar Wilde and his “panthers” to 1970s bars with their waiters and hairdressers, gay life has always drawn energy from the working class. Today, though, gay culture is almost uniformly middle class.

We’re open to every form of diversity except economic. Tolerance in this city means assuming everyone is middle class and has the toys — cell phone, iPod, condo — to prove it. Should you fail the entrance exam, no one quite knows what to do.

Our mores too are increasingly middle class. The knock against Ottawa used to be that it was a dinner-party society; that is, unless you knew people and were invited to the right parties, you weren’t going to meet anyone. Well, Toronto’s Ottawa now. You’re not going anywhere unless you’ve got the right introductions. I see more and more people circulating in self-regarding cliques.

All in all it makes for a very 1950s view of the world — tasteful, comfortable and safe.

It’s understandable that older gays, the 40-plus crowd, might embrace this placid view of society. Born between 1947 and 1966, many of the boomers grew up in the 1950s and are probably happy, as they settle into their sedate years, to embrace something familiar. But why younger types are so eager to embrace Ozzie-and-Harriet-land is beyond me, except that the internet, as well as enabling a gazillion niche neuroses, also mass-markets the most banal fantasies available — and does so with a force and an intensity that makes TV look timid.

The 1950s were more adventuresome than they looked. The post-war years spawned Elvis Presley, rock ’n’ roll, the Beats, early gay activism (the Mattachine Society) and enough female discontent to throw up Betty Friedan and the Feminine Mystique just a few years later.

Maybe this decade, too, will turn out to be more fertile than it looks. But I wouldn’t hold my breath.


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Reader Comments


 
Makes me queasy
You've hit the nail on the head for me... I've been quite disatisfied with this aggressive form of conformity for a long time. Perhaps my nostalgia for a more "activist" flavour of gay might seem quaint and somewhat antique to younger queers (I'm 51)... but the recent surge in the pursuit of middle class badges of success at the expense of the fringe frightens me. Those who want the house, the dog(s), the white picket fence are welcome to them, but don't diss those of us who live a different ideal of queer. I cringe every time some well-manicured homo wrinkles his perfect nose at a drag queen or leather daddy and pontificates about getting them off the street, out of the parade, off the front page of the news, et. al. It wasn't THAT long ago that you and your new husband would not have been legally allowed to purchase your perfect home (with renovated kitchen). The cost of your pursuit of inclusion at the expense (read: exclusion) of those who don't pursue the same goals is NOT worth the price. Our diversity is our strength. Don't ever forget that.
Mychol Scully, Toronto ON
08/02/09 1:56 PM EST
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Flame on
Normally I'm impressed by Brent Ledger's perceptiveness and cultural knowledge, but he's missed the boat on gay youngsters and conformity. As someone of a certain age who lives near and works in Toronto's gay neighbourhood I've been pleasantly surprised by the new wave of young gay men with a shameless sense of flamboyance. Tube dresses and colourful tight jeans! Thongs! Neon pink tank tops. Off the shoulder T-shirts! Makeup and jewellery! The dandy, the flamer, the femme, is alive and well... and Woody's has never the place to spot them.
gb, Toronto ON
08/05/09 5:24 PM EST
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Mostly rings true
"We’re open to every form of diversity except economic." Wish I'd written that! Brent's a perceptive writer. I will split a hair, however; I don't think that 'gay society' (to the extent there is such a thing) is all about conformity, I think it's a geographic feature of the Church Street gay village Guppie subset, where hookers and street kids are unwelcome and virtually anyone who owns (Remember we all used to rent? Remember 100 Wellesley meant you had arrived?) property lives in a vertical gated community with a doorman and security and CCTV. These are not urban forms which create tolerance of difference; they are exclusive by nature. In some, owning a dog in excess of 20 kg is grounds for eviction; presumably a veterinary scales is kept on the premises. Get out. I did. And I've never regretted it. (The only thing I miss is Skrew Saturday's at Buddy's - dancing to the Butthole Surfers, NIN and Pop Will Eat Itself - but the nineties are over, dammit). The last time I attended Pride, someone hung a banner saying "Gay Shame" from 444 Church, and nobody got it.
Alex MacLean, Toronto On
08/06/09 11:52 AM EST
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Middle Class Values Indeed!
Brent Ledger gets it right when he says the mores of Toronto's gay community have become increasingly middle class. This isn't just reflected in the hunger for material items like iPhones and condos, since wanting 'toys' is a weakness most of us have, myself included. It also means we judge each other for behaviours that may seem eccentric to some, and play 'higher than thou' games when cruising, whether it's in the bars or online. Give me the older gay liberationists in this town who tell it like it is, no holds barred. They're the people we should look up to and take note of how they relate to other human beings, gay or straight. If we're going to shake this cold, frosty reality, we need to change how we relate to each other. It would be a great achievement — if our queer community can ever manage it.
Josh Bentley-Swan, Toronto Ontario
08/06/09 10:59 PM EST
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Obama in context.
"In fact the biggest bellwether of the current phenomenon is Obama. For all his difference (or maybe because of it) he’s a throwback, the perfect 1950s male. With his impeccable grey suits and picture-perfect family, he’s the perfect dad from a time when we still thought dads could be perfect" The thing about Obama's appeal is that his persona is the perfect antidite to toxic notions of how black men are expected to be. He's worldly, sophisticated, intelligent, articulate and confident. His being the perfect dad/husband is wonderful because it's a contradiction of the too common stereotype of the absent black 'babydaddy'. I cannot count the number of times I've been told with surprise that I'm so 'articulate' and 'polite' as if being African precludes such qualities. If Obama is a throwback then it's to Sidney Poitier another black man who 'shocked' the world by showing that black men could be (and in fact are) more than simple, beastly thugs. As for the rest: hasn't there always been a materialistic streak in gay male culture? I think it comes part and parcel with the emphasis on 'the oputside' that we're socialized to idealize. As long as the surface is shiny, then there's no need to look any further, no?
Adil, TO ON
08/11/09 12:24 PM EST
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To Adil --
It's interesting that you make the comparison between Obama and Poitier; so did black, gay writer David Ehrenstein in his "Magic Negro" column -- http://www.latimes.com/news/opinion/la-oe-ehrenstein19mar19,0,5335087.story?coll=la-opinion-center ... Quote: "...it's clear that Obama also is running for an equally important unelected office, in the province of the popular imagination — the 'Magic Negro.' The Magic Negro is a figure of postmodern folk culture, coined by snarky 20th century sociologists, to explain a cultural figure who emerged in the wake of Brown vs. Board of Education. "He has no past, he simply appears one day to help the white protagonist," reads the description on Wikipedia http://en.wikipedia.org/wiki/Magical_Negro . He's there to assuage white "guilt" (i.e., the minimal discomfort they feel) over the role of slavery and racial segregation in American history, while replacing stereotypes of a dangerous, highly sexualized black man with a benign figure for whom interracial sexual congress holds no interest. As might be expected, this figure is chiefly cinematic — embodied by such noted performers as Sidney Poitier, Morgan Freeman, Scatman Crothers, Michael Clarke Duncan, Will Smith and, most recently, Don Cheadle. And that's not to mention a certain basketball player whose very nickname is 'Magic.' " (endquote) Go read the whole column -- it's well worth it.
Nathanial, Slocan Valley BC
08/12/09 8:37 AM EST
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