Fucking powerful
SOD'S OPERA
Marcus McCann / Ottawa / Thursday, January 21, 2010
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It was one of the most tense mornings I’ve had since I joined the staff of Capital Xtra in 2006. Working from three cities — me in Toronto, Daniel Allen Cox in Montreal, Luna Allison in Ottawa — we spent the morning emailing back and forth about Daniel’s newest column which was set to appear in this issue of Capital Xtra.

The column, called “Rape fantasy at Vatican City,” deals with the Catholic Church’s condemnation of condom use. In it, Daniel rightly denounces the Pope’s unholy love of abstinence. He points out the ravages Church policies have wrought (à la Christopher Hitchens, in his stinging reports on Mother Teresa).

As the title of the piece implies, Daniel also weaves in a personal fantasy about holding the Pope hostage and making him plead for a condom, rather than being fucked bareback. It is a graphic, unsettling piece of first-person commentary. Words, I learn over and over again in this job, are fucking powerful.

Philosophically, of course, there’s nothing wrong with rape fantasies, SM stories, sex-with-pain, etc. We have a long history in gay, leather and kink communities of honouring our desires, even on taboo subjects. And equally obvious, at least to me, is that a healthy part of many people’s sex lives involves acting out such fantasies — with consent, negotiation and an eye for safety.

There would be merit in running an edited version of his column, managing the response and using it as an opportunity to discuss the important issues at stake: HIV transmission and abstinence, the Catholic Church and condoms, sexual fantasy and, finally, the legal/publishing prohibitions in the criminal code.

That position, unfortunately, would have left us open to criminal charges. Putting aside our concerns about being charged with issuing threats or, conceivably, libel — since you’re talking about a real, living public figure — we could be pursued as publishers of obscene material.

In clarifying the law via the 1992 Butler decision, the Supreme Court moved away from a “community standards” test and toward a “harm-based” approach. While it was a step in the right direction, the Court’s position did not go far enough. Their decision explicitly singles out SM sex:

“The portrayal of sex coupled with violence will almost always constitute the undue exploitation of sex. Explicit sex which is degrading or dehumanizing may be undue if the risk of harm is substantial.”

There are defences (artistic merit, community good, fair comment) that we could have used, depending on what we were charged with. However, given the position of the Supreme Court, we would have been on shaky legal ground. It would have been unwise to undertake the costly defence that could be required, never mind that we — Luna, Daniel, I and several others — could have landed in jail for the piece.

Considering that the predecessor to Capital Xtra, The Body Politic — a national journal of sexual liberation published in the ’70s and ’80s — fought several obscenity trials, including one that went all the way to the Supreme Court, it was a depressing conclusion to reach.

Canada’s obscenity laws, such as they are, put a chill on free speech in publishing. The fate of Daniel’s column is a perfect example of how the fear of prosecution can force publishers to make “safe” decisions.

Censorship (self-imposed or otherwise) also brings out our natural curiosity. How come Luna and I get to see the piece, but you don’t? When I hear that something is too controversial for me to see, I immediately look for it — whether it’s the SCUM Manifesto or Two Girls, One Cup.


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Reader Comments


 
facing obscenity
I suggest publishing a "redacted" version, one where all the actionable material has been replaced with heavy, black lines. Your readers (and potential censors) will soon discover that their own imaginations are far more dangerous than any printed word can be.
Louis Flint Ceci, Mountain View California
01/26/10 1:39 AM EST
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Opportunities, not walls
Thank you, Marcus, for such a thorough and thoughtful piece. Your support for my writing is stellar. One of the great things about writing for Capital Xtra is being in the company of agitators and ne’er-do-wells; I know that we’re running together, even when we hit cement walls. Though these are not really walls, but rather opportunities for discussion. Thanks to you, Luna, and the rest of the Xtra staff for the wild ride, and for keep us all talking potty-mouthed and dangerous. xo DAC
Daniel Allen Cox, Montreal Quebec
01/26/10 11:57 AM EST
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oh man.
Though i understand the trepidation, I really want to read it. Is there a way to do so?
Jayda Kelsall, Ottawa ON
01/28/10 2:14 PM EST
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Mass reading?
I wonder if there is a way to disseminate this story that relieves the Press of legal responsibility -- maybe a public presentation with multiple readers trading off paragraphs and the audience/crowd reading along. (Or 100 versions read over YouTube on the same channel. Or something.) If a massive crowd performed this piece, they couldn't realistically arrest all of us, could they? And anyone who quoted from the text then would be engaging in reportage.
Shawn Syms, Toronto ON
01/30/10 11:33 AM EST
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what she said
I can totally see why you can't publish it, but I'm with Jayda - the way you describe it makes me want to read it. If it's that powerful... plus, I'm a fan of Daniel's work. And now I'm fascinated with the legal side of it. Does making it available in any form somehow count as trafficking obscene material? If you can't put it in the paper, can you put it anywhere, even as a blog post or a restricted page or... augh! The more I think about it from the point of view of the censorship people, the weirder it sounds. Where does 'distributing' end? Is it okay, say, for Daniel to email the piece to a friend? If not, does this mean there are certain combinations of words that are illegal? Head... hurting... now...
Kathryn Hunt, Ottawa Ontario
01/30/10 11:35 AM EST
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Freedom of the Press
Daniel's works are always excellent, insightful and powerful and he deserves to have all of his work published. This is the 21st century and we shouldn't be afraid of writers and their work that make you think...
Robb, Ottawa ON
01/30/10 1:58 PM EST
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